THIS year marks the 30th anniversary of Chinese calligrapher Jin Ou’s arrival in Japan.

“In the 30 years since I came to Japan, I have been introducing Chinese culture through calligraphy and seal carving works, and promoting the art exchange of calligraphy and painting between the two countries,” he said.

To commemorate the anniversary, Jin recently held an exhibition at the China Cultural Center in Tokyo displaying calligraphy and seal carving works by him and his students, where Jin said he wants to help the Chinese people in Japan strengthen their traditional cultural learning and seek their culture roots from calligraphy.

“Kanji, as Chinese characters are called in Japan, come from China, and calligraphy has always been very popular in Japan,” he said.

Jin, who was born in Wuzhen, East China’s Zhejiang Province, in 1957, went to Japan for study in 1992. During the period of his stay, he studied Chinese calligraphy and Japanese calligraphy at the same time, and published “Jin Ou’s Calligraphy, Painting and Seal Carving Works” and “History of Japanese Ancient Seals and Ancient Seals Research.”

Over the years, Jin has actively participated in various large-scale cultural exhibitions in Japan and performed seal carving skills, which has attracted a lot of attention from the Japanese media.

In 2002, Jin opened the Jin Ou Art Academy, teaching calligraphy, painting and seal carving. “In Japan, calligraphy, painting, and seal carving are generally taught by three teachers, but I teach the three categories at the same time all by myself, and I modify my way of teaching to suit each student’s personal interests and aptitudes,” he explained.

Because of the distinctive teaching method, many Japanese came to the school to learn art, and Jin’s academy has gained increasing popularity in Japan.

Hajime Matsunaga has been studying calligraphy and seal carving with Jin for nearly 20 years. In the exhibition, his work “Four Divine Beasts in Seal Carving” is placed in a prominent position. His art and skills shine through the vivid depiction of the four mythical beasts as well as the carved characters.

“I come to the school almost every day now, and I am very happy to learn calligraphy and seal cutting, and classical Chinese culture,” Matsunaga told Xinhua.

In 2004, Jin and several other Chinese calligraphers in Japan established the All-Japan Chinese Calligraphers Association, hoping to provide a greater platform and promote more in-depth exchanges between Chinese and Japanese calligraphy and seal cutting circles.(Xinhua)