A NATIONAL craft master has been calling for more protection and preservation of a traditional craft that’s on the verge of extinction.

    “Gold and silver filigree craft is mastered by only 100 or more people in China,” said Wang Shuwen, a national craft master, who displayed two filigree craftworks at the ICIF.

    “Filigree craft is a cultural heritage and its protection is of significance. Very few people know this craft,” Wang said.

    Wang said he displayed two of his filigree craftworks to let more people learn about the complicated and delicate craft. Filigree works are delicate, finely wrought metal ornaments or creations involving intricate patterns and shapes.

    “This craft can have a better chance of being carried on only when it is well understood by people,” said Wang.

    One of the works by Wang is a depiction of the 12 signs of the Chinese zodiac, with inlaid gems.

    Wang joined 37 other domestic craft masters to sign a cooperation agreement with Shenzhen Arts and Crafts Association at the ICIF. The agreement is expected to improve the city’s research and development, and art operations.

    Wang said Shenzhen’s crafts are mainly mass produced, to meet demands of the masses. But Wang said the industrialization of craft production doesn’t have to deal a blow to traditional craft-making. On the contrary, modern and industrialized elements can provide inspirations for high-end craftwork.

    “Many young people have ideas or practices that I don’t have, so I also need to learn from them. Craft requires a lifelong study,” Wang said.

    A master of ivory carving, Wang started learning the filigree craft in the 1980s when he was working in a craft factory in Beijing.

    Before arriving in Shenzhen to attend the ICIF, Wang visited the U.N. headquarters in the United States to direct relocation of his large ivory carving, which has been exhibited at the U.N. headquarters for 40 years. The relocation is a result of a redecoration of the headquarters.

    Named “Chengkun Railway,” the piece was created by Wang in 1973, when he was 30. The piece was given to the United Nations by China as a gift.

    (Martin Li)