IT was a year when even a few of the movies that made shameless profits (“Guardians of the Galaxy,” “The Hunger Games: Mockingjay — Part 1,” “The Lego Movie”) weren’t anything to be ashamed about. But the lion’s share of 2014’s best movies came in small, intimate packages, beholden to no one except the sensibilities of their creators. From a boy to a birdman, from a gone girl to the potently present talents of two women directors, 10 movies were selected by Rolling Stone last week as the best movies of 2014.

    10 Interstellar

    Christopher Nolan’s space odyssey is an epic. His film is as concerned with a relationship between parent (Matthew McConaughey) and child (Jessica Chastain) as “Boyhood” is. Both films make perfect bookends for a movie year that got good when it got personal.

    9 Under the Skin

    This year brought many under-the-radar gems, including “Snowpiercer,” “Locke,” “Love Is Strange,” “Nightcrawler,” “Force Majeure,” “Dear White People,” “Mr. Turner,” “A Most Violent Year,” and “Leviathan and Citizenfour.” But the most impressive one is Jonathan Glazer’s “Under the Skin,” in which a never-better Scarlett Johansson plays an alien cruising Scotland for men she can understand.

    8 Unbroken

    Here’s a stirring love letter from director Angelina Jolie to Louis Zamperini, an Olympic runner who found his courage sorely tested in a Japanese POW camp. Jack O’Connell as Louis and Miyavi as his sadistic guard are both superb, but it’s Jolie who took a story Hollywood ignored for decades, got it done and made it resonate.

    7 The Grand Budapest Hotel

    Wes Anderson doesn’t make movies like other people. Beneath the confection of “The Grand Budapest Hotel,” set in a luxury spa between the two world wars, is a deep melancholy personified by a concierge, wonderfully played by Ralph Fiennes, who believes etiquette helps define civilization.

    6 Whiplash

    In only his second film as a director, Damien Chazelle scores a breakout by dipping into his own musical education to show us a young jazz drummer (Miles Teller) near destroyed by an instructor (an Oscar-bound J.K. Simmons) who’s never happy unless there’s blood on the sticks.

    5 Gone Girl

    Gillian Flynn’s best-seller about a marriage gone lethally wrong becomes, in the hands of director David Fincher and Flynn’s incisive script, a searing social satire about the lost art of making a relationship work. Rosamund Pike, in a fireball turn as Ben Affleck’s cheated-on wife, takes us to hell and back.

    4 Selma

    Kudos to director Ava DuVernay, who blows the dust off history in Selma and cuts straight to its beating heart. It’s a big subject: Martin Luther King Jr. (David Oyelowo) and his famed 1965 voting-rights march from Selma, Alabama, to Montgomery. Oyelowo is magnificent, and DuVernay makes every moment intimate and electric.

    3 Foxcatcher

    This true story of wrestling, wealth, insanity and murder becomes a chilling work of art in the hands of filmmaker Bennett Miller, and performances from Steve Carell, Channing Tatum and Mark Ruffalo that mark high points in their careers.

    2 Birdman

    Nothing this year had the power to make us drunk on movies again like “Birdman,” Alejandro G. Iárritu’s cinematic roller coaster about a Hollywood superhero (Michael Keaton) trying to get respect on Broadway. Keaton gives the performance of the year in this whirling comic assault in which the laughs leave bruises.

    1 Boyhood

    The smallest, quietest, least pushy film of 2014 is also the year’s best and biggest emotional powerhouse. For “Boyhood,” writer-director Richard Linklater carved out shooting time over 12 years to tell the story of a then-6-year-old Texas boy (Ellar Coltrane) growing up as the child of divorced parents, indelibly played by Ethan Hawke and Patricia Arquette. “Boyhood,” sculpted from the highs and lows of his own life, is director Linklater’s landmark and his purest personal expression.(SD-Agencies)