MASTERPIECES by artists such as Claude Monet, Marc Chagall and Zhang Daqian, which are usually found in public museums, stole the limelight at the Fourth China International Import Expo (CIIE) on Nov. 5-10.

These works include “La Pointe du Petit Ailly,” an oil painting by French Impressionist master Monet, “Verdant Mountains in Sichuan,” a water ink painting by Chinese master Zhang, and “Buste de Diego,” a bronze piece by Swiss sculptor Alberto Giacometti.

Imported by Sotheby’s, the oldest auction house in the world, they are among the 178 artworks that were featured at the CIIE, which has for the first time established a cultural relics and art section. The Shanghai International Bonded Artwork Service Center said 20 institutions from 11 countries and regions participated in the CIIE this year. Major auction houses made their debuts at the expo in the hope of attracting Chinese collectors.

Thirty-nine of the pieces have been recognized as cultural relics. The combined value of the 39 pieces is 2.35 billion yuan (US$367.7 million).

Another leading auctioneer, Christie’s, presented eight famous artworks at the CIIE this year, including paintings by Italian master Amedeo Modigliani and Chinese-French artist Zao Wou-ki. Christie’s is the only international house that hosts auctions on the Chinese mainland. The painting by Modigliani, “Beatrice Hastings Devant Une Porte,” was available for sale at Christie’s CIIE booth.

“In support of China’s establishment of a leading art and culture arena at the CIIE, we are very honored to debut at this event, which offers collectors in China an opportunity to appreciate and acquire top-quality works from our carefully curated selection of masterpieces by iconic artists,” said Rebecca Yang, chairwoman of Christie’s China.

Arts and relics were among the new highlights at the CIIE this year following China’s introduction of new policies to encourage the import of art and cultural masterpieces at the CIIE. Due to these policies, each exhibitor at the CIIE could enjoy tax-free trading on five antiques, artworks or other collectible objects.

“Presenting artworks at the CIIE marks a great opportunity for Sotheby’s to try the new business model in China,” said Yang Jun, deputy director of Sotheby’s.

“The new policy that allows five pieces to be traded free of taxation is a great incentive for international trading firms, and a good way for Sotheby’s to enter the Chinese market. We’d like to take advantage of the opportunity and engage with potential clients on the Chinese mainland, and hopefully initiate new communications with other exhibitors at the CIIE as well.”

The CIIE may be the only channel for cultural relics to enjoy tariff exemption on the Chinese mainland, noted Li Jing, deputy director of the cultural relics department under Shanghai municipal administration of cultural heritage.

“It is a rare opportunity to bring together all the leading players in international art and relic trading, and we hope to promote the development of China’s art market and help to build the city into a center of international art trading,” he said.

Also making its debut at the CIIE this year was English artist Damien Hirst. Represented by the British institution HENI, Hirst displayed 10 artworks, covering all the important periods in his career, according to Zheng Yan, executive director of HENI China, which was established this year.

Zheng said the decision to attend the CIIE came after she met with Jiang Mingwei, general manager of Shanghai Free Trade Zone Culture Development Co. Ltd., which hosted the first Shanghai FTZ Art Fair in October.

The Free Trade Zone and the International Bonded Artwork Service Center provided professional and outstanding service for the customs clearance, transportation and storage of artworks, she said. Following conclusion of the CIIE, galleries and institutions will be able to extend their display for three months at the bonded art warehouse at the Shanghai FTZ.

“This will help us to further introduce the artworks to the public and we hope to present Hirst, one of the most important figures in the global contemporary art scene, to the Chinese public in more and bigger events,” Zheng said.

(China Daily)