THE recent news that Shenzhen-based amateur writer Hai Ya, a bank employee by profession, became the third Chinese to win the prestigious Hugo Award, has cheered up both sci-fi fans and authors in the country.

Science fiction in China has transcended its literary origins, transforming into a multi-faceted industry that fuels the growth of interconnected sectors such as film, television, and other commercial ventures.

In 2022, the science fiction industry in China amassed a staggering output value of 87.75 billion yuan (US$12.2 billion). China has produced a series of successful science fiction films, such as “The Wandering Earth,” that have earned billions of yuan at the box office. The country is also believed to be home to the world’s largest number of sci-fi aficionados. Encouraged by Hai’s meteoritic rise to fame, many sci-fi authors are perhaps more resolute in their chosen career or creative side endeavors. Yet, amidst this thriving landscape, the question remains: Is there a secret formula for successful sci-fi writing? The interviews with Hai and Liu Cixin, the first Chinese recipient of the Hugo Award, may provide invaluable insight.

Unearthing inspirations

Hai says he has found an endless source of inspiration in Chinese history and traditional culture.

The Hugo Awards, first presented in 1953 and presented annually since 1955, are science fiction’s most prestigious awards. The winners are chosen by members of the World Science Fiction Convention, which was held this year in Chengdu, Sichuan Province.

Hai, the brilliant mind behind the award-winning “The Space-Time Painter,” vividly illustrates how the rich cultural heritage and societal intricacies of China shape the essence of its writers. Inspired by the masterpiece “A Thousand Miles of Rivers and Mountains,” painted by 18-year-old Song Dynasty (960-1279) prodigy Wang Ximeng, Hai seamlessly weaves historical elements into his science fiction narratives. His other works, such as “The Flying Guillotine,” “The Dragon’s Skeleton,” and “Fogong Temple Pagoda,” are also history-themed.

Chinese sci-fi authors, according to Hai, now exude a newfound confidence in spotlighting indigenous culture and narratives. Although science may transcend borders, the imaginative core of science fiction remains an intangible treasure, distinct to each culture.

“In our history and culture, there are universal values that can touch people from various backgrounds and regions,” he said.

Hai believes that by integrating traditional Chinese culture into the genre, not only can China be better understood by the world, but Chinese science fiction can also attract more readers around the world.

Hai expressed immense excitement at receiving the award. “This is not solely about my talent,” he said. “Many sci-fi authors stopped creating new works after publishing one or two outstanding pieces. I feel fortunate to be able to continue writing and have found a wealth of inspirations in traditional culture.”

Hai’s bond with science fiction initially germinated as a simple pastime, a source of amusement that he did not initially take seriously. “Around 2018, I got very devoted and began to put my whole heart into creating,” he said.

Hai said there is no direct connection between his job and writing, but his job has taught him discipline and instilled a habit of working with a plan.

“I make an effort to convert the time I would typically spend on my phone or watching short videos into writing sessions,” he said.

Hai said his works have yet to reach overseas audiences, but he is working towards that goal.

“Some of my works have been translated into other languages, and my agent is exploring the possibility for intellectual property (IP) development,” Hai said.

The best era for sci-fi

Liu, acclaimed author of the renowned Chinese sci-fi trilogy “The Three-Body Problem,” garners an overwhelming fan base, evident by the ardent crowds that flock to his public appearances. His win of the prestigious Hugo Award for Best Novel at the 73rd World Science Fiction Convention in 2015 earned him the title of a visionary who “single-handedly elevated Chinese science fiction to a global stage.” His works captivate enthusiasts around the world.

At the forefront of Liu’s works lies the exploration of the intricate relationship between humanity, the boundless universe, and ever-evolving technology. Deeply contemplative, Liu delves into these themes in his writings, prompting readers to ponder alongside him.

According to Liu, the contemporary need for science fiction arises from the rapid transformation that science and technology have brought upon our world, permeating every facet of our lives. Drawing inspiration from a historian’s insight, he highlights the crucial role of imagination in human civilization, emphasizing that science fiction thrives precisely because it creates extraordinary worlds that surpass reality. Thus, Liu firmly believes that our era can continue to benefit from science fiction, whose bold visions bode for future’s possibilities.

Interestingly, Liu believes that science fiction is still about humanity. He eloquently expresses that in the vast expanse of the universe, our planet Earth is nothing but a speck of dust, and we all inhabit this dust together. Consequently, science fiction serves as a unifying force that resonates with individuals from diverse cultures and nations, transcending barriers by presenting shared dreams and nightmarish crises. As Liu sees it, science fiction acts as a bridge, connecting people throughout the world.

The elusive muse

In the pursuit of creativity, inspiration often proves elusive, especially for sci-fi writers. The notion holds true for many creatives, including Liu who shared his candid experiences. “Since the release of my previous work, I have dedicated myself to writing diligently. At the start, the plotlines felt astonishing. However, amidst the rapid changes of this era, halfway through the writing process, I found these works becoming stale, forcing me to start anew and wasting a significant amount of time,” he confessed.

Adding to the complexities faced by writers is the emergence of AI, a rival that feels like a plot twist straight out of a sci-fi novel. Indeed, the presence of AI poses a looming threat. “There is a ‘force’ gradually displacing writers like us. Science fiction crafted by artificial intelligence is improving rapidly, and honestly, I am uncertain about the time AI will leave for me,” he said.

Nonetheless, this resilient sci-fi writer refuses to remain stagnant, embracing the challenge ahead. He encourages the younger generation to take the lead, igniting their passion for the genre. When asked about the much-anticipated “golden age” of Chinese science fiction, his response was optimistic. He firmly believes that the country’s development holds the greatest opportunity for Chinese sci-fi. As China propels itself towards accelerated modernization, the golden age will naturally emerge.

(Xinhua)