-
Important news
-
News
-
In-Depth
-
Shenzhen
-
China
-
World
-
Business
-
Speak Shenzhen
-
Culture
-
Leisure
-
Photos
-
Lifestyle
-
Travel
-
Tech
-
Special Report
-
Digital Paper
-
Opinion
-
Features
-
Kaleidoscope
-
Health
-
Markets
-
Sports
-
Entertainment
-
Business/Markets
-
World Economy
-
Weekend
-
Newsmaker
-
Advertisement
-
Diversions
-
Movies
-
Hotels and Food
-
Yes Teens!
-
News Picks
-
Glamour
-
Campus
-
Budding Writers
-
Fun
-
Qianhai
-
CHTF Special
-
Futian Today
在线翻译:
szdaily -> Shenzhen -> 
Exhibition presents a cosmic stage to local audiences
    2026-08-10  08:53    Shenzhen Daily

CONTEMPORARY Chinese artist Meng Site’s solo exhibition, “Stardust Grand Theater,” has opened at L-Art Gallery inside the Shenzhen Museum of Contemporary Art and Urban Planning, transforming the space into a theatrical stage where multiple temporalities converge.

The exhibition features dozens of new paintings created over the past two years, centering on Meng’s meditation on technology and time — how technology organizes perception, arranges life, and disciplines subjects, while re-situating these questions within mythological, bodily, and cosmic dimensions.

The title piece, “Stardust Grand Theater,” serves as the exhibition’s opener, promising entry into a fantastic world. The exhibition unfolds as a choreographed theatrical experience: The main canvas acts as the lead-in, successive gallery spaces become different stages performing their own dramas, and deeper exploration reveals the control room and operating devices behind the scenes.

A graduate of the Central Academy of Fine Arts (CAFA), Meng now teaches at Capital Normal University in Beijing. His training in realist painting is evident in his mastery of large-scale canvases and his ability to deconstruct reality while imbuing every detail with vivid immediacy. His images transcend objective appearances to probe an interior psychological reality.

Meng traces his trajectory from early “subtraction” — processing tensions between individual emotion and collective experience — to a later turn toward “addition.” This shift was catalyzed by childhood memories of natural history atlases, which shaped how his generation imagined the external world in the 1980s. Meng emphasizes this development does not distance him from personal emotion but rather submerges its point of departure within a broader experiential framework, inviting viewers to complete the work’s meaning through their own experiences.

Dates: Through Aug. 16

Venue: L2 2-7, Shenzhen Museum of Contemporary Art and Urban Planning, Futian District (深圳市当代艺术与城市规划馆)

Metro: Line 3 or 4 to Children’s Palace Station (少年宫站), Exit A2(SD News)

深圳报业集团版权所有, 未经授权禁止复制; Copyright 2010-2020, All Rights Reserved.
Shenzhen Daily E-mail:szdaily@126.com