MOVIEGOERS said goodbye to Katniss Everdeen and welcomed back Rocky Balboa in a series of farewells and reunions that powered Thanksgiving box office receipts above last year’s holiday weekend.

    “The Hunger Games: Mockingjay — Part 2” led a crowded field of contenders, topping charts with US$75.8 million and bringing its domestic total to US$198.3 million. It marks the final film in the hugely popular series, although Lionsgate, the studio behind the franchise, has hinted it wants to figure out ways to create future spinoffs.

    The previous two “Hunger Games” films both debuted the week before Thanksgiving and went on to rule multiplexes over the holiday. Its dominance is practically a holiday tradition.

    If the strong return of “Mockingjay — Part 2” was a familiar Thanksgiving sight, the big surprise was how well “Creed” performed. The film successfully brought back Sylvester Stallone’s iconic Rocky character and revived a boxing franchise that seemed like a Reagan-era relic after racking up US$42.6 million over the five-day holiday period.

    Metro-Goldwyn-Mayer and New Line co-produced and co-financed the film, which centers on Rocky rival Apollo Creed’s illegitimate son (Michael B. Jordan) and his efforts to continue his father’s boxing legacy. Stallone plays his coach and confidant. It should have no trouble making back the US$37 million that the studios spent putting the “Italian Stallion” back in the ring.

    Pixar’s “The Good Dinosaur” capitalized on school holidays, becoming the de facto choice for families. The animated film earned US$56 million over the five-day holiday. That’s a solid result and the fourth highest five-day Thanksgiving opening, but it is somewhat disappointing given Pixar’s track record as the most successful provider of all-ages entertainment. It ranks as the third lowest debut in company history. Pixar didn’t provide a budget number, but judging from the cost of its previous films, this one likely carries a US$200 million price tag.

    “The Good Dinosaur” had a troubled production history. The film’s debut was pushed back by two years and its original director Bob Peterson was pulled from the project over creative disagreements. He was replaced by Peter Sohn and the film underwent a massive overhaul. (SD-Agencies)